Young Choreographers
Platform
Central Europe Dance Theatre
ARCHIVE
Day fly
“As far as I know, I have been attracted to the Tisza. To this day, when I return to my homeland, Vojvodina, I "stop at the winding ..." water. I often sit in the water, watching for twists, ruffles, swirls and waves. Shimmering fish or gloomy galloping migratory clouds. We have a dialogue, the river and myself. If something I missed in the world was missing, it was the silent, all-pervading flow of the Tisza foam. The peace and tranquility that can only take you on the beach. These timeless moments can take years to recharge. As I sit and silently watch the foam, the flow catches me. The light that shines on the back of the waves flies far into my thoughts, memories, and imagination. We talk to each other, we listen to each other. To feel the eternal flow of existence in this deep silence. The attraction of ever-changing material captivates people. Vortexes draw you into the ancient depths of my being. The eternal wave pervades the viscera. The river and its observer are gradually tuning in to the same wavelength that they shake together. ” / Gyula Cserepes /
Gyula Cserepes is a contemporary dance choreographer and performer from Óbecca, Vojvodina. The Tisza is an important player in his life. The intimate relationship with the river, the resulting flow and rhythm experience is a decisive element of Gyula's art. For five days, four modern dance students of the Hungarian Academy of Dance and three dance artists of the Central European Dance Theater deal with the rhythm of the timelessness of the passing moment. In the ethos entitled The Flower of the Tisza, images and scenes are shared with viewers about the shared experiences and experiences of choreographic workshops.
Portrait: Dániel Dömölky
Creators-Artists
David Dabóczi
Patrik Crusader m.v.
Adrienn Nyeste
Szilvási Anna
and students of the Department of Modern Dance at the Hungarian University of Dance:
Liza Csóka
Marcell Hován
Mayer Dorina
Choreographer
Gyula Cserepes
GYULA
CSEREPES
DANCE is not DEAD!
What is it that is hidden behind every layer of our personality? And why do we get these layers? Are they there to follow or to decide whether to follow them? Our passions? Our demons? Or is it a completely different story?
Portrait: Roland Szabó (L1danceFest)
Creators-Artists
Adrienn Horváth
Laura Tóth
Ungi Krisztián
and students of the Department of Modern Dance at the Hungarian University of Dance:
Haanpää Phet Samurai
Gábor Kindl
Matthias Kovács
Noaki Pataki
Choreographer
Eva Urbanova
EVA
URBANOVA
Trans
Venue is an infinite space in which infinite processes are transformed by repetitive repetitions in conflicting states. The search for unity takes place at the meeting of different energy qualities, which are reflected in the use of the body. In this rite, bodies are impersonal, finely tuned transceivers that initially carry these qualities separately. Through their encounters and impact on their presence, they jointly create a higher level creature. The vibration increases, the rotation is infinite, the shades change. The process also presents an internal pathway in which human consciousness rises as it becomes more diverse. You get to know yourself through your surroundings.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
David Mikó
Light
Zoltán Fogarasi
DÁVID
MIKÓ
Epidemic
What would happen if the world became so drastic that your own company, your environment became iZombiev? Would it be enough for you to figure out somewhere you would have to create and walk the gold engraving, or would you be swinging with the tide? Can you overcome this epidemic? If so how? Tell me! We do too.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
Kristóf Samu
Light
Zoltán Fogarasi
Artists
Csongor of Fuzes
Adrienn Horváth
Csaba Mátyás Nagy
Adrienn Nyeste
Attila Horvath MTE
Hoffmann Luca MTE
Kiss Rebeka MTE
KRISTÓF
SAMU
One more!
It has happened in all of our lives that we felt that at that moment and time (relationship, professionalism, mental plane) we were one more in this place. Just one more than you should. All of our lives are influenced by the things of the world. He adapts to the music he hears for a long time, loves the color they are drawn to, and accepts the habit he is categorized into. But will it remain so? After all, the habit of escaping has, over time, superseded the obligations of the norm accepted by society. As a woman, it is a task in itself to be determined, to live well and to live femininity.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
Krisztina Szarvas
Light
Zoltán Fogarasi
Artists
Harghita Mariann
László Mádi
Golubkovics Gergő MTE
Stupek Mira MTE
Taba Benjamin MTE
Anna Szilvási MTE
KRISZTINA
SZARVAS
777
The piece reveals and shows how simple one is and how easily one can deceive oneself. It explains the dilemma that in our technocratic world human values seem to be lost, how we become addicted and impersonal. Exteriors, positions of power, roles, all of which we learn, and stripped of all of them, we find in our loneliness that we can count on ourselves. This is what the "perfect" 777 highlights.
Sponsored by the National Cultural Fund Imre Zoltán Program.
creators
Choreographer
Lajos Péter Túri
Choreographer's assistant
Haysan Kitti
dramaturge
Kristen Kelemen
Costume, scenery
Lajos Péter Túri
Light
Zoltán Fogarasi
Artists
Jakab Zsanett
Harghita Mariann
Adrienn Horváth
Gábor Ivanov
Peter Kovács
Csaba Mátyás Nagy
Adrienn Nyeste
LAJOS
TÚRI
Whirling
“The Clown concept was inspired by Samuel Beckett's textless pieces.
Through certain motion formulas and patterns, how to apply their minimized variations to specific individuals. Repetition, structure and movement of the mass appear as a task at the same time, and the aim is to put them into practice and create new structures.
I have used the repetitive processes in my previous work and I am very interested in what kind of relationships can be developed with several actors. While keeping the motifs in a systematic fashion, I seek a variety of movement languages with dancers, which in the final presentation goes from completely clear, everyday movements to the genre of dance. ” Beatrix Simko
Beatrix Simkó is a dance artist, choreographer, media artist.
He continued his studies at the Moholy-Nagy University of Art and has a degree in Media Design. He has been collaborating with the Éva Duda Society for seven years besides his individual creations. In 2014 Viktor Fülöp received a state scholarship and in 2015 he was a scholarship holder of the international program of the Theatertreffen Theater Tour in Berlin from Hungary. In addition to his work in Budapest, he has often worked in international co-productions, in recent years in Berlin, Vienna, Graz and Bern.
About PengPalast! touring with Swiss collective Bye Bye Babel c. with their performance and recently with the get to know Kassandra piece at the Rodeo Festival in Munich.
Currently he plays his own contemporary dance performance with Zoltán Grecsó in the repertoire of the Home Theater of the Comedy Theater, with #Orfeusz # Eurydice.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
Beatrix Simko
sight
Dániel Dömölky
Music
Levente Boros
Light
Zoltán Fogarasi
Artists
Jakab Zsanett
Harghita Mariann
Adrienn Horváth
Gábor Ivanov
Peter Kovács
László Mádi
Csaba Mátyás Nagy
Adrienn Nyeste
BEATRIX
SIMKÓ
Kazakh Dictionary
The primary goal of the talent research program, launched in 2013, is to improve the choreographer's recruitment potential and to empower young choreographers. Young choreographers are given the opportunity to create at the open competition of IKF. The winners will be able to work with KET dancers for a week, and at the end of the week will have a public demonstration in a theater setting. This time the work of Anikó Kiss will be presented by the dance artists of KET.
The starting point of the presentation is Milorad Pavić's novel Kazakh Dictionary, which explores the history of the Khazar people from three different angles, using Christian, Islamic and Hebrew sources. The characters in the story are also key figures in the discussion of the Khazar question, which in fact serves only as an indication of how differently the three religions interpret and explain the same past event. Who is right, what is the truth at all?
Like the novel, the show intends to encourage the viewer to find their own individual reading, choose their own version, use their imagination and, above all, freely associate.
In the montage-like scenes / etudes from the novel, the individual thinking and movement of the dancers also play an important role.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
Kiss Anikó
Light
Zoltán Fogarasi
Artists
Jakab Zsanett
Harghita Mariann
Adrienn Horváth
Gábor Ivanov
Peter Kovács
András Szabó
ANIKÓ
KISS
Judit Szamosi graduated from the Hungarian Dance College in 2013, and thanks to a scholarship she also participated in the Ponderosa Tanzland internship program. His work, We Are Two, was the winner of the 2014 Solo Duo Festival Audience Award.
“I find that the movement inside us is greeting people. We can't move. It is not us who do the dance, but the dance that goes with us ... Many times this happens without realizing it. For us interpreters, this living movement within us is the body language itself, which makes no difference between us: regardless of gender, culture, social background, religion, it moves us every day.
I want to better understand what connects us human beings at this non-verbal level. Through a deeper understanding and exploration of the body language world, I would like to find the main motivation behind the movements. I find it fascinating and inspiring that this dance, whether we know it or not lives in it. ” (Judit Szamosi)
Sponsored by the National Cultural Fund Imre Zoltán Program.
Choreographer
Judit Szamos
Light
Zoltán Fogarasi
Artists
Jakab Zsanett
Harghita Mariann
Adrienn Horváth
Gábor Ivanov
Peter Kovács
László Mádi
András Szabó
Dalma Weringer
JUDIT
SZAMOSI
The eights
IKF is a new talent care and research program whose primary goal is to improve choreographers' recruiting capabilities and to empower young choreographers. The Central Europe Dance Theater has begun to develop a new strategy to continue working with the youngest artists. Young choreographers are given the opportunity to create at the open competition of IKF.
This time Gábor Halász can work with KET dancers for a week and at the end of the week there will be a public demonstration called A8ak. Gábor Halász After graduating from the Budapest Contemporary Dance College, D.A.N.C.E. (Dance Apprentice Network aCross Europe), later a member of the Ballet National de Marseille.
A8ak redefines the mystery of the number eight. In addition to music theory and numerology, Gábor Halász is looking for a language based on the roots of the piece, approaching members of the most prominent Hungarian avant-garde artist group and the Central European Dance Theater.
Photo by Gábor Dusa.
Sponsored by the National Cultural Fund Imre Zoltán Program.
Concept / Choreographer
Gábor Halász (Viktor Fülöp Fellow)
Light
Zoltán Fogarasi
Artists
Harghita Mariann
Adrienn Horváth
Jakab Zsanett
Nóra Palpár
Ádám Frigy (Viktor Fülöp Fellow)
Gábor Ivanov
Peter Kovács
László Mádi
